Monday, September 15, 2008

If you're not the one then why does my soul feel glad today?
If you're not the one then why does my hand fit yours this way?
If you are not mine then why does your heart return my call?
If you are not mine would I have the strength to stand at all?

I never know what the future brings
But I know you are here with me now
We'll make it through
And I hope you are the one I share my life with

I don't wanna run away but I can't take it, I don't understand
If I'm not made for you then why does my heart tell me that I am?
Is there any way that I can stay in your arms?

If I don't need you then why am I crying on my bed?
If I don't need you then why does your name resound in my head?
If you're not for me then why does this distance maim my life?
If you're not for me then why do I dream of you as my wife?

I don't know why you're so far away
But I know that this **much** is true
We'll make it through
And I hope you are the one I share my life with
And I wish that you could be the one I die with
And I'm praying you're the one I build my home with
I hope I love you all my life

I don't wanna run away but I can't take it, I don't understand
If I'm not made for you then why does my heart tell me that I am
Is there any way that I can stay in your arms?

'Cause I miss you, body and soul so strong that it takes my breath away
And I breathe you into my heart and pray for the strength to stand today
'Cause I love you, whether it's wrong or right
And though I can't be with you tonight
You know my heart is by your side

I don’t wanna run away but I can’t take it, I don’t understand
If I’m not made for you then why does my heart tell me that I am
Is there any way that I can stay in your arms?

Sunday, September 14, 2008

lai..lai..KUNFU PANDA

i have being asking to post on a comment for our blog last week. Coincidently, last Friday I watch Kunfu Panda. I know that movie not the latest movie, but i'm kinda not an up to date person.hehe..HERE I WOULD LIKE TO SHARE about the main roll of the movie which is PO. PO is a panda but the funniest thing is his father was a bird!!.haha..and her anchestor was a pig. i also have no idea how could it be..but we know that is just for entertainment,nothing wrong with it. m i rite dude?? ok,let's get back to the point. i'm kinda never talk,so take this chance to talk even tough to myself..
PO is an apprentice noodle maker who daydreams of figthing alongside the star of the kunfu world. Tough a twist of fate,Po's unexpectedly picked to do just that and save the valley from the vicious Tai Lung in the process. even though Po is just the beginner, he isn't about to give up, and he sets about to prove the naysayers wrong..in the process, he finds that his greatest weakness may just be his greatest strenghts. does it motivates u??you may give a thought about this "Your greatest weakness may just be your greatest strenghts". i leave to you and find what are your weaknesses and try to thank for that weaknesses”

c u again!!!p/s: this is the first time i m posting on a blog..yahuuu!!
NO GUTS, NO GLORY!

Robert Sternberg's Triarchic Theory of Intelligence

Overview of Sternberg's Triarchic Theory of Intelligence

Sternberg's Triarchic Theory of Human Intelligence (1977, 1985, 1995) subsumes both Spearman’s g and underlying information processing components. His triarchic theory includes three facets or subtheories:

  1. Analytical (componential)
  2. Creative (experiential)
  3. Practical (contextual)

Sternberg's theory builds on his earlier componential approach to reasoning. His theory is mostly based on observing Yale graduate students. Sternberg believes that if intelligence is properly defined & measured it will translate to real-life success. Sternberg's Triarchic Theory is an important effort to synthesize the various theories of intelligence.

Componential / Analytical Subtheory

Sternberg associated the componential subtheory with analytical giftedness. This is one of three types of giftedness that Sternberg recognizes. Analytical giftedness is influential in being able to take apart problems and being able to see solutions not often seen. Unfortunately, individuals with only this type are not as adept at creating unique ideas of their own. Other areas deal with creativity and other abilities not easily tested.

Experiential / Creative Subtheory

Sternberg’s second stage of his theory is his experiential subtheory. This stage deals mainly with how well a task is performed with regard to how familiar it is. Sternberg splits the role of experience into two parts: novelty and automation.

A novel situation is one that you have never experienced before. People that are adept at managing a novel situation can take the task and find new ways of solving it that the majority of people would not notice (Sternberg, 1997).

Practical / Contextual Subtheory

Sternberg’s third subtheory of intelligence, called practical or contextual, “deals with the mental activity involved in attaining fit to context” (Sternberg, 1985, p.45). Through the three processes of adaptation, shaping, and selection, individuals create an ideal fit between themselves and their environment. This type of intelligence is often referred to as "street smarts."

cinderella

Cinderella Lyrics
Artist (Band):Tata Young



When I was just a little girl
My momma used to tuck me into bed
And she read me a story
It always was about a Princess
In distress and how a guy would save her
And end up with the glory

I'd lie in bed and think about the person that I wanted to be
Then one day I realized the fairy tale life wasn't for me

[Chorus]
I don't wanna be like Cinderella
Sitting in a dark old dusty cellar
Waiting for somebody to come and set me free
I don't wanna be like Snow White, waiting
For a handsome prince to come and save me
On a horse of white, unless we're riding side by side
Don't want to depend on no one else
I'd rather rescue myself

Someday I'm gonna find someone
Who wants my soul, heart and mind
Who's not afraid to show that he loves me
Somebody who will understand
I'm happy just the way I am
Don't need nobody taking care of me

(I will be)
I will be there for him
Just as strong as he will be there for me
When I give myself then
It got to be an equal thing

[Chorus]

I can slay my own dragon
I can dream my own dreams
My knight in shining armour is me
So I'm gonna set me free

(Like Cinderella
Old dusty cellar)
Waiting for somebody to come and set me free
I don't want to be like Snow White, waiting
For a handsome prince to come and (save me x6)

Sunday, September 7, 2008

What question in life that bugs you????

Benarkah pepatah “jadilah diri kita yang sebenar?”
Semua orang kata, jika kita berhadapan dengan sesuatu yang masalah, mereka akan mengingatkan kita supaya menjadi diri kita yang sebenar.
Namun persoalannya…..siapa aku yang sebenarnya???
Jika diberikan situasi…….
Ezora merupakan seorang yang hidup sederhana bercinta dengan Tunku Adreen. Pada suatu hari, dia telah dijemput ke majlis tari menari yang gilang gemilang…ramai orang-orang yang ternama dan berpangkat akan hadir.
Jadi Ezora pergi ke mencari baju yang sesuai dan sibuk bertanya kepada Adreen tentang kelakuan yang sepatutnya ketika berada di majlis itu.
Teka apa yang adreen jawab?????
“be yourself….”
Pada malam tari menari tersebut, tunku Adreen terkejut melihat Ezora dengan baju yang sangat seksi.
Ezora dengan tenang menjawab “this is who I am for real..”
Ketika berada di majlis pula, ezora menunjukkan bakatnya menari seperti penari bogel. Tunku Adreen sangat marah. Dia segera beredar meninggalkan majlis kerana malu dengan tingkah laku Ezora.
Kesimpulannya….
Benarkah kita perlu menjadi siapa diri kita yang sebenarnya????
Pada pendapat saya….kita tidak perlu menjadi siapa diri kita yang sebenarnya. Cukuplah sekadar mematuhi setiap nilai dan norma masyarakat.:p


Uncovering our true Self is a goal that we are all striving for,whether we call it the attainment of sanity,enlightenment, self realization, happiness, or salvation.

Wednesday, September 3, 2008

Top 10 Memory Improvement Tips...

Before you study for your next exam, you might want to use a few strategies to boost your memory of important information. There are a number of tried and tested techniques for improving memory. These strategies have been established within cognitive psychology literature and offer a number of great ways to improve memory, enhance recall, and increase retention of information.
  1. Focus your attention on the materials you are studying.
    Attention is one of the major components of memory. In order for information to move from short-term memory into long-term memory, you need to actively attend to this information. Try to study in a place free of distractions such as television, music, and other diversions.
  2. Avoid cramming by establishing regular study sessions.
    According to Bjork (2001), studying materials over a number of session’s gives you the time you need to adequately process the information. Research has shown that students who study regularly remember the material far better that those did all of their studying in one marathon session.
  3. Structure and organize the information you are studying.
    Researchers have found that information is organized in memory in related clusters. You can take advantage of this by structuring and organizing the materials you are studying. Try grouping similar concepts and terms together, or make an outline of your notes and textbook readings to help group related concepts.
  4. Utilize mnemonic devices to remember information.
    Mnemonic devices are a technique often used by students to aid in recall. A mnemonic is simply a way to remember information. For example, you might associate a term you need to remember with a common item that you are very familiar with. The best mnemonics are those that utilize positive imagery, humor, or novelty. You might come up with a rhyme, song, or joke to help remember a specific segment of information.
  5. Elaborate and rehearse the information you are studying.
    In order to recall information, you need to encode what you are studying into long-term memory. One of the most effective encoding techniques is known as elaborative rehearsal. An example of this technique would be to read the definition of a key term, study the definition of that term, and then read a more detailed description of what that term means. After repeating this process a few times, your recall of the information will be far better.
  6. Relate new information to things you already know.
    When you are studying unfamiliar material, take the time to think about how this information relates to things that you already know. By establishing relationships between new ideas and previously existing memories, you can dramatically increase the likelihood of recalling the recently learned information.
  7. Visualize concepts to improve memory and recall.
    Many people benefit greatly from visualizing the information they study. Pay attention to the photographs, charts, and other graphics in your textbooks. If you don’t have visual cues to help, try creating your own. Draw charts or figures in the margins of your notes or use highlighters or pens in different colors to group related ideas in your written study materials.
  8. Teach new concepts to another person.
    Research suggests that reading materials out loud significantly improves memory of the material. Educators and psychologists have also discovered that having students actually teach new concepts to others enhances understanding and recall. You can use this approach in your own study by teaching new concepts and information to a friend or study partner.
  9. Pay extra attention to difficult information.
    Have you ever noticed how it's sometimes easier to remember information at the beginning or end of a chapter? Researchers have found that the position of information can play a role in recall, which is known as the serial position effect. While recalling middle information can be difficult, you can overcome this problem by spending extra time rehearsing this information or try restructuring the information so it will be easier to remember. When you come across an especially difficult concept, devote some extra time to memorizing the information.
  10. Vary your study routine.
    Another great way to increase your recall is to occasionally change your study routine. If you are accustomed to studying in one specific location, try moving to a different spot to study. If you study in the evening, try to spend a few minutes each morning reviewing the information you studied the previous night. By adding an element of novelty to your study sessions, you can increase the effectiveness of your efforts and significantly improve your long-term recall.

Tuesday, September 2, 2008

The Principles Of Learning by Robert Mills Gagne

ACTIVE INVOLVEMENT

Definition

"The learner is not a 'receptacle' of knowledge, but rather creates his or her learning actively and uniquely" (Ewell, 1997a, p.6). "This characterization of learning, of course, is quite at odds with our dominant instructional models" (Ewell, 1997b, p. 4), such as lecture.

Checklist of Observable Behaviors

  1. Participatory behavior (Ewell, 1997a, p.6): The student is active and responsive, and engages in activities.
  2. Creative thinking (Ewell, 1997a, p.6): The student comes up with his/her own solutions/suggestions, brings new insights to the topic, and becomes able to relate what has been previously learned to new contexts.
  3. Engaged learning (Ewell, 1997a, p.6): The student is able to apply a learning strategy for a given learning situation.
  4. Construction of knowledge (Ewell, 1997a, p.6): Instead of passively receiving the information, the student is given tasks meant to lead him/her to understanding and learning.

Example

In a lesson for grades 1-6, elementary art students are actively involved in the process of learning about other cultures. Hands-on activities are a good means of learning information about specific areas of life in a particular culture.
For example, in a lesson on making a clay sarcophagus, learning occurs as students gather information about Egypt and watch slides about the Egyptian way of life, the pyramids and their purposes, and the sarcophagus (an inscribed stone coffin). Learning also occurs when students find out how to create a sarcophagus. As part of this process, they learn about the meaning of the hieroglyphics, the mummification process, and Egyptian gods. They also actively learn the rules of firing the clay, painting it, and carving hieroglyphics.
Other examples of active learning may include activities such as creating models of natural processes (ecosystems) and participating in a discussion.

PATTERN RECOGNITION AND CONNECTIVISM

Definition

This cognitive process "involves actively creating linkages among concepts, skill elements, people, and experiences" (Ewell, 1997b, p.7). For the individual learner, this will be about "'making meaning' by establishing and re-working patterns, relationships, and connections" (Ewell, 1997b, p.6). New biological research reveals that "connection-making" is the core of both mental activity and brain development (Ewell, 1997b, p.7).


Checklist of Observable Behaviors

  1. Flexible thinking (Ewell 1997b, p.6): The student is able to adapt to new learning contexts and tasks by connecting, organizing, and working previous skills and knowledge into new structures.
  2. Critical thinking (Ewell,1997b, p.7): The student approaches a task comparing, refining, and selecting from what he or she knows to find the best solution to the problem.
  3. Transfer (Woolfolk, 1998, p. 320): In backward-reaching transfer, the student makes connections to prior knowledge; in forward-reaching transfer the student makes connections to how the information will be used in the future.
  4. Sense-making (Ewell, 1997a, p.6): Given a specific learning context, the student is able to use familiar patterns that are re-organized and extrapolated so that they become meaningful in a new situation.

Example

In a senior high English literature class, students create a production that combines the traditional script of Hamlet with original, contemporized monologues. In doing so, they will be applying the ideas and themes of the play to modern problems. Thus, critical thinking is applied to making connections between a fictional and a real world.
During this activity, several opportunities occur for students to apply knowledge acquired by means of classical literature, that is, Shakespeare’s Hamlet, to day-to-day life situations. The instructor organizes the class to work in groups and to select a scene from the play. As they interpret the scene, students will have to analyze it and connect it to a modern idea. One example is connecting Hamlet’s “To be or not to be” soliloquy to the modern topic of teen suicide rate. This activity requires students to see patterns and make connections between the past and present, finding similarities between conditions then and now. The insights they gain will help them better understand the present through the past.

INFORMAL LEARNING

Definition

"Every student learns all the time, both with us and despite us" (Ewell, 1997a, p. 4). Informal learning is implicit learning, which means it is derived from "direct interaction . . . and a range of cues given by peers and [instructors] that go well beyond what is explicitly being 'taught'" (Ewell, 1997b, p.7).


Checklist of Observable Behaviors

  1. Implicit learning (Ewell, 1997b, p.7): Learning can occur in any life situation; opportunities to learn often are not school-based. They may occur in addition to the content being taught. The student has the ability to recognize and to make sense out of a learning situation that is not necessarily conducted within a classroom.
  2. Field trips (Bransford, Brown, & Cooking, 1999, pp.19-21): The student interacts with the environment with the purpose of exploring and learning.
  3. Learning centers (Bransford et al., 1999, pp.19-21): At centers created within the community, students can apply and practice theoretical knowledge.
  4. Apprenticeship (Ewell, 1997b, p.7): The student learns from exposure to and the supervision of a mentor, for example, in job shadowing and school-to-work programs.

Example

A popular learning center for early childhood classrooms is a housekeeping center. To create a housekeeping center, a teacher sets aside a certain area in the classroom to create a setting that may resemble students' home environment. The area is filled with familiar materials, furniture, and tools. Objects that are not so easily recognized may also be included. The students are given the opportunity to work in small groups in the space to learn to manipulate and properly use all of these tools. They will often use a trial-and-error method to complete their task until they are successful. In this setting, students informally learn how to interact socially and learn about the processes that occur in a household environment as well as the workings of household tools.

DIRECT EXPERIENCE

Definition

Direct experience refers to built-in opportunities for active engagement in a learning environment which "decisively shape individual understandings" (Ewell, 1997, p.7). When students have little or misconstrued knowledge of a certain topic, direct experience is required to gain that understanding and create, change, or refine a mental model. These views are not always accurate, but may be shaped by past experiences and may be “difficult to break out of even when they are demonstrably false” (Halpern & Associates, as cited in Ewell, 1997, p. 8).

Checklist of Observable Behaviors

  1. Learning in context (Ewell, 1997, p.8): The student experiences an environment that provides an opportunity to acquire knowledge and skills by directly observing the object or phenomenon to be studied.
  2. Creating a mental model (Ewell, 1997, p.8): The student experiences repeatedly similar situations, thus making associations between causes and effects, through which humans make sense out of new situations.
  3. Changing a mental model (Ewell, 1997, p.8): The student re-uses existing brain connections for new purposes and constructs new associations based on the previous patterns of expectations.

Example

In a lesson entitled “Popcorn Poetry,” students are asked to creatively use their sensorial experience to learn abstract concepts in poetry. They are given the opportunity to directly experience the concrete characteristics of popcorn such as its smell, taste, texture, and the sound of it popping. These experiences enable the students to compose a poem about popcorn. After the poems are completed, students will be able to tell how each of their senses contributed to identifying the popcorn characteristics. The students can also describe how they were able to transform their experiences with the popcorn into the creative and accurate words they used in their writing.

COMPELLING SITUATION

Definition

This learning component combines elements from direct experience and motivational readiness. "But it adds a new wrinkle in its implication that there is a careful balance of challenge and opportunity in any learning situation" (Ewell, 1997b, p.9).“Maximum learning tends to occur when people are confronted with specific, identifiable problems that they want to solve and that are within their capacity to do so” (Ewell, 1997a, p. 4). Student motivation and learning often occur best in the context of a complex and challenging problem that interests students because the solutions are perceived to have real consequences.

Checklist of Observable Behaviors

  1. Challenging problem (Ewell, 1997b, p.9): The situation is complex and motivating and yields emotion, attention, and effort in finding a solution.
  2. Real situation (Ewell, 1997b, p.9): The context is connected to the outside world and not simulated.
  3. Real consequences (Ewell, 1997b, p.9): The results of an actual problem have practical applicability to everyday life.

Example

In a class designed for sixth graders, compelling situations occur during a study of oceans. Using role playing, the instructor has the students analyze the ocean from the perspective of each of these four roles: geologist, marine biologist, environmental scientist, and oceanographer. In this way, the students experience the nature of the work for each of these specialists. The instructor is building up the learning opportunity in the form of a game. Using video clips from The Great Ocean Rescue simulation software from Tom Snyder Productions, Inc., the teacher sets up the compelling situation.

The videos are scenarios that depict a control center for ocean research. Due to inclement weather, the control center has lost contact with several of its vessels. Students play the role of researchers in the ocean control center. In another sequence of the lesson, students use clues from the video and their new knowledge of ocean characteristics as they work in groups to form an opinion about where the lost ocean vessel may be located and about which tests (if any) should be conducted prior to launching a rescue mission. Then the entire class must reach consensus about the assumed location and any tests that should be conducted so that the control center can send out a rescue mission. In this way, students are stimulated to translate their work into a real-world situation. Another part of the situation that makes it compelling for students is that they are required to calculate the costs of each test conducted to help determine the location of the lost vessel and to figure out the most feasible plan.

FREQUENT FEEDBACK

Definition

Frequent feedback provides opportunities for students to practice what they have previously learned. Research tells us that the “brain’s flexibility allows the neural networks that were constructed to address such problems to be quickly reworked to deal with more pressing matters” (Kotulak, as cited in Ewell, 1997, p. 9). Because the brain wants to deal with the most pressing matters, it is necessary to practice those things that we wish to retain and to receive feedback that includes “explicit cues about how to do better, such as that provided deliberately (or unconsciously)” by a teacher or peer (Seely, Brown, & Duguid, as cited in Ewell, 1997, p. 9). This influences learning by virtue of the frequency (i.e., number of interactions with a particular environmental stimulus such as a person or a task) and by the quality of the feedback the learner receives. Quality feedback would reveal “specific, readily-correctable, mistakes or discrepancies in current practices, or in the 'mental models' that lie behind them” (Ewell, 1997, p. 9). Without frequent feedback and opportunities for practice, particularly in areas like mathematics and foreign language, “even well-learned abilities go away (though recovery is not as difficult as initial acquisition)” (Ewell, 1997, p. 9).

Checklist of Observable Behaviors

  1. Practice (Ewell, 1997, p.9): Students exercise with the purpose of enhancing knowledge and skills.
  2. Teacher feedback (Ewell, 1997, p.9): The instructor gives students verbal or written input.
  3. Peer feedback (Ewell, 1997, p.9): Peers provide verbal or written input.
  4. Cues about how to improve (Ewell, 1997, p.9): The learner gets information back that includes suggestions on how to do better.
  5. Corrective feedback (Ewell, 1997, p.9): This input is meant to help improve performance.
  6. Supportive feedback (Ewell, 1997, p.9): A mentor or peer provides encouragement.

Example

A kindergarten teacher asks her students to each draw a picture of the vehicle of their choice. The drawings will later be incorporated into a PowerPoint slide show that will be combined with the students’ voices to form a computerized class book. As the students work, the teacher provides them with frequent feedback. She circulates around the classroom to make sure that each student is addressed. The feedback she provides is unique and very specific to each individual student’s work. The comments are meant to help the students make their drawings more clear to an audience, as well as to encourage the students by letting them know that they are doing a wonderful job. It is evident that the teacher is sincere in what she says to each student and very interested in what they are drawing.

ENJOYABLE SETTING

Definition

“New insights into the ways traditional cultures gain and transmit knowledge (drawn from sociobiology and anthropology) remind us that effective learning is social and interactive” (Ewell, 1997a, p.5). An enjoyable learning setting is a cultural and interpersonal context that provides interactions, considerable levels of individual personal support, and creates learning opportunities (Ewell, 1997b, p.10). Most learning of this kind is group-oriented and oral (Ewell, 1997b, p.10).

Checklist of Observable Behaviors

  1. Personal interaction (Ewell, 1997b, p.10): This situation favors enjoyable communication among individuals.
  2. Social effects on learning (Ewell,1997b, p.10): Learning takes place through activities that involve harmonious interaction and trust, such as play.
  3. Personal support for manageable risk-taking (Ewell,1997b, p.10): The encouragement and support shown through interactions within an enjoyable learning context act as an incentive for students, especially those who feel challenged, to take risks and manage them.

Example

An elementary student who has difficulty with written language works with a resource teacher to create a “living book,” which includes text, pictures, and sound. The student is immersed in several risk-taking situations as a part of this activity, which requires the personal support of the resource teacher. The student composes and sends an e-mail message to an author asking for information about his or her ideas for creating a book. The student is also taking a risk when classmates are shown the book. (The encouragement and support of the teacher enhance the enjoyable setting.)

sing a long